I just read a book that really pointed out to me the difference between a book by an author who knows the area, and one that doesn't. I did a ton of research on Wales for a book I wrote a few years ago. The more I learned, the more I realized how much I didn't know. Kemberlee Shortland's book, A Piece of My Heart, is a perfect example of the difference between truly knowing your location and just researching it from a distance. Kem lives in Ireland and her book is full of the slang and dialect that only the Irish truly know. A Piece of my Heart is a great story, but Kem's expertise added a good deal of authenticity and entertainment to the read.
Has a book ever brought you to a complete halt because of an obvious error? It has me numerous times, even reading best-selling authors. I once had a favorite author of western historical romances who made enough research errors I finally stopped buying her books. Simple details, no doubt unimportant to the average reader, but they took me right out of the story and made me doubt everything the author wrote. One I remember was a reference to "tall, stately oak trees" at a Wyoming ranch in the 1800s. There are a lot of oaks in the western U.S. and some might be considered tall by locals. An easterner, however, would likely laugh at that description, the way they laugh at the creeks we call rivers. I guess they'd call our creeks trickles. In Wyoming and Utah, the most common oak is the gambel oak. The illustration for them in the Audubon Society Nature Guides for Western Forests might mislead someone into thinking they're tall, even stately, but they aren't, not compared to the oaks of New England. What you see commonly here are scrub oaks, more bushes than trees. But a writer unfamiliar with the territory might refer to such a guide for research and make such an error.
The mistake that stopped me from buying this author's books appeared in an 1800s western in which the hero referred to his undershorts as BVDs. I hooted at that one. Then to be sure I was right, I did some research. Bradley, Voorhees and Day (BVD) was a New York firm founded in 1876 that manufactured underwear, mostly bustles for women and union suits for men, but their products were not referred to as BVDs until the 1900s. The first public reference to "bee vee dees" was in the silent film, The Big Parade, released in 1925.
Another example is the Utah cedar. Even an author visiting Utah and speaking to locals could make this mistake. The pioneers who first started calling these twisted trees cedars may well have believed that's what they were due to the similarity. But they're actually junipers.
One of my hobbies in the past was studying and collecting wildflowers. I've forgotten a lot of what I used to know, so these days, even I have to refer to books to validate my research. There are plenty of books on birds and plants of every state, some foreign countries, and local areas, such as Rocky Mountain Wildflowers, Wildflowers of the Western Cascades, Birds of the Pacific Northwest Coast, and the Audubon guides that cover everything in the world of nature from spiders to rock crystals. But one must be wary of using the information such books give. Yes, the Utah penstemon is a fairly common wildflower here, but only in certain elevations. What you find growing on the west slope of a hillside may very well be absent on the east side.
Several years ago I was judging books for the RWA Rita Contest. One of the entries was a wonderful story set at the time Yosemite was designated a national park. The author was talented, the writing superb, except for the part where the hero went out hunting and returned with five-prong stag elk slung over his shoulder. It killed me to have to downgrade that excellent book because of that little error, but it really wasn't that little. Male elk are not called stags; they're bulls, and a five-point, which is moderate-sized, (note I said five-point, not 5-prong), would weigh 650 to 700 pounds. Try slinging that over your shoulder and hiking several miles. For the record, for some reason, elk often seem to skip five points and go from three or four straight to six points.
How does one avoid these kinds of errors? By being very, very thorough. Visit the site, if possible, and find someone local to the area who's willing to help. You can write a story set in a locale you've never been to and make it sound authentic. I remember one I read years ago set in New Orleans that sure had me convinced the author had first-hand knowledge. In truth, she'd never been there.
Here's this week's entertainment, another talented young lady doing what seems impossible.

























Thanks for your wonderful comments about my book, A Piece of My Heart! It means so much to me coming from such a talented writer as yourself!
ReplyDeleteThis all goes back to the old standard...write what you know. Also, taking what you know and backing it up with a little research just to be sure, to be sure, as they say!
I love research. There's SO much interesting stuff out there, and research can lead to more story ideas.
I was always a supporter of the Berkeley/Jove line Irish Eyes. This is going back ages now. But they didn't have an editor who knew anything, or much, of Ireland. Most books in that series were filled with historical errors. Even the contemporaries had factual errors.
The last two books published in that line were Deb Stover's Mulligan Stew and Mulligan Magic. Those were good stories, and very Irish. While Deb has never been to Ireland, I worked with her to make sure those stories spoke of Ireland, and not just a story with a vague Irish setting. Readers told her they felt like they were in Ireland as they read, which is the point! She did very well.
Unfortunately, other authors in the series did not. And it's sad to say, some of those authors have gone onto make their reputations based on Irish stories, and every one I've read has been chock full of errors. Why? As you said, not having been here, not doing proper research, not working with someone 'on the ground' if they can't visit, and editors who don't know the country either. You don't hire a dentist for brain surgery just as you don't hire a general fictional editor for specialized series'. So the line failed. And with it, a great opportunity to highlight Ireland and all the wonder and magic that makes up the country.
Of course, the other fall-down for BJ was they didn't want any politics, no religion, and no wars. What was left? Have they not heard the term 'Holy Catholic Ireland'? And Ireland has been at war since the dawn of time. Clan skirmishes for land, battles for kingships, wars between Ireland and England, civil wars, religious wars... Even the national game of Hurling was borne out of the ancient method of warfare where sticks with flat heads were used to pick up and hurl stones while the warrior ran across the land.
I can only take a bit of joy in knowing their series that followed, Highland Fling, tanked almost immediately on lauch! Scottish set stories are SO past-it!
I've always loved your stories. Not just because you wrote them and you're my friend. But because I know you do your research. You visit the places you write about, you talk to locals, you read books and historical texts to be sure your facts are correct. Then you weave an incredible story around your findings. I think that's what set Forever Mine apart from other books. I KNEW you'd been to the lighthouse and done your research. I felt I was with the characters the whole time in that location. I could only feel that with a story that had been written so well. I felt like I was there. And that's the point, right?